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voice over casting company
specializing in games and animation.
And we're good at it, too.

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Jan
10

Resnick Interactive has had the honor to work with some of the best voice actors around. While we love having them in the studio, we wanted to know what they thought of the experience! We asked some of our actors sit down and share their thoughts on working with Resnick Interactive and the whole voice over recording process.

In this first installment, Kate Higgins and Laura Gerow share their experiences. Kate likes the fast pace of the work and that she is able to keep her energy and focus. Then we meet with Laura who credits the whole team for being so friendly and making her feel comfortable through the whole process. Check out the videos and let us know what you think!

Jan
04

As winter blows through the northern hemisphere, the season brings with it the chilling threat of illness to those in the voice over industry. Nothing halts a voice over production faster than the actors losing their voices! Even worse, for the struggling actor or singer, blowing an audition because you’ve caught a cough can be a devastating hit.

Taking care of your voice during cold and flu season really just involves paying extra special attention to the normal tricks and habits that most voice over professionals should already be considering. For instance, be sure to drink LOTS of water with a minimum eight glasses of water of day to ensure proper hydration. In the winter this is especially true because the air tends to be dryer than usual, therefore vocal cords tend to become stressed with the relatively low humidity. In addition, many of us often drink extra coffee or tea to warm ourselves up, however these things, in combination with the dry air, only serve to dehydrate the body even more and, as a result, strains the vocal cords.

The common cold and flu prevention techniques will also keep your voice humming true during the winter season. Make sure you stay away from others with colds, wash your hands frequently, maintain a nutritious diet, get adequate sleep, and exercise your body and voice properly. If you do happen to come down with a cold, be sure to cough softly or not at all. Coughing and clearing your throat can seriously strain the vocal cords, thereby extending the period of time in which your voice is not working properly. Try swallowing or drinking some water when you first feel that tickle, and, as a last resort, cough GENTLY. Remembering this trick can shave days off the devastation of losing your voice. Also, try to avoid eating chocolate or drinking milk before performing, as these will coat your throat your voice will not sound as clear thus causing your to clear your throat more frequently.

In addition to illness and disease, winter also brings with it some exciting events. But, when you randomly run into your best friend from a decade ago, don’t go running up and screaming and shouting! Football season is nearing the playoffs, basketball is kicking off, and sports fanatics are sure to be rooting for their home teams. By all means, demonstrate your enthusiasm, but try doing so by dressing in full gear or with a giant foam finger rather than losing your main commodity in a heated fit of excitement.. One of the worst ways to lose your voice during the winter is with excessive cheer. When you shout or even talk, the cold and dry winter air is inhaled in greater volumes and dries the vocal cords faster. So, if you’re not drinking enough water, the vocal cords become more brittle and strained.

So, what’s the best advice we can give you for maintaining your voice during the winter season? Always keep a personal water bottle handy, don’t share it with anyone else, and be sure to keep your hands sanitized. Enjoy your winter season, but with the contained enthusiasm that will also leave you with a working voice in the aftermath.

Do you have other special tips or tricks to keeping your voice through cold and flu season?

Dec
30

In this second episode in our sit down with voice over actor Nolan North, we find out how voice acting for video games may differ from other projects. His response? It doesn’t! Nolan shares that he believes the medium is irrelevant. Acting, any acting is all about brining life and truth to a fictional character. Whether that is on camera or through voice over recording for many different genres of projects, the production challenge is the same.

How simple can voice acting be? North compares it to a childhood game. “It’s really not as complicated as a lot of actors want to make it out to be. It’s pretty much the same thing that any 4 or 5-year-old child does. It’s just playing make believe. “ Nolan has gone above and beyond a childhood game and turned playing make believe into a living.

North is no stranger to both the voice over and on camera acting world. Most notably known for his portrayal of Drake in the recently released Uncharted 3: Drake’s Deception, Nolan has an extensive resume to his name. Having worked on Batman: Arkham and Assassin’s Creed, to his on camera work for Pretty Little Liars & General Hospital, Nolan’s range of characters and abilities continue to take the acting world by storm.

Do you approach voice acting different from on camera acting? Share you thoughts below!

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Dec
27

The Engineer is the person responsible for all the machines used in the voice over recording session working perfectly; their job is to capture all the vocal magic. While they could easily be regarded as ‘button pushers’ or machine-focused; the fact is, that the Engineer put his/her heart and soul into each project and their performance cannot be understated or overlooked. One could argue that they are out TinMan – seemingly machine, but truly much heart.

It is the Engineer’s attention to the detail and their knowledge of each component that allows the other members of the team, namely the writers, directors and voice actors, to focus on their creative responsibilities.

Not only must the Engineer must keep all recorded takes organized for the final assembly of the project, but s/he must also keep any reference tracks handy for the director in case, at anytime they request a source for ‘playback’.

During the voice-over recording session, it is the Engineer’s responsibility to maintain a high quality recording of the voice-over actor’s performance. S/he must be sure the actor is the correct distance from the microphone, the actor’s voice is recorded clearly and that and no additional noises are heard on the track.

After the voice-over recording session, the Engineer will deliver all the tracks and will have edited or spliced together selected takes, which will become the first semblance or edit, thus bringing the project to life.

After the voice over recording session and throughout the editing process, it is common to ask the engineer to pull up additional takes or certain lines as options potentially used to perhaps better match the upcoming visuals, which will be added in later. Just because the audio edit is done does this mean the Engineer’s job is over; they are usually on call right up until delivery.

While it can be easy to overlook the crucial role of the Engineer, we must realize that we need their experience and passion to optimize any voice-over recording session. They are an invaluable part of the team, and had a huge heart all along.

Dec
20

By Deb

What?! I thought I was getting into a fun industry?!

If you have ventured into the world of animation and video games, you know exactly what I’m referring to. The wonderful thing about make believe, is that anything can happen. I’ll never forget my time on DragonBall – I played a character named ‘Mai’ and she died in what seemed like 50% of the episodes. You have to get very creative in your death scenes. You can only die so many times and in the world of video games, you can die over and over again. The interesting thing about a death scene is that this isnt’ something we can truly relate to ourselves. And the way we die in animations isn’t realistic to most deaths we know. So we have to become very creative and think outside the box.

While you start practicing and developing your characters – add another layer to them that you may not have thought through – how many ways can your character die? What would it sound like if you are falling out of an airplane as opposed to falling from the top of the building? What does it sound like when you get stabbed to death? When you are being slain by a demon? When you catch on fire? Falling into a dark hole? Melting? …..there is no end to the options of a dying character.

Something I suppose you didn’t give much thought to….. until now. Why don’t you YouTube animated death scenes or Google and rent some animations with characters that are similar to your range and see what other greats before you have done. Record your findings in the studio so you will be able to mimic them again in the future. Just listen and watch the animation or create your own death scene in your head. See it all happening and try and feel and physically act out the scene with as many human sfx as you can add to it. Don’t forget your sound of struggle (if there is one) before and after the death. Add the proximity affect (for example are you falling; change your vocal sounds to give the sound of distance – and don’t forget to land with impact.)

The point is, our vocal instruments guide the scene and it’s our job to vocally assist it along and create the scene using only our imaginations and our human sounds and words.

The true key to this technique, is that your character gets brought back to life….that’s the true art to dying. Coming back for another episode or season, until next time everyone.