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Nov
24

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This months spotlight is on voice actor JB Blanc. JB was born in Paris, France to an English mother and a French father. He moved with his mother to Yorkshire, England at the age of four, where he was raised and attended school, eventually graduating from The Royal Academy of Dramatic Art (RADA) in 1990.

He worked extensively in theatre in Britain for over 15 years, including a three-year stint at London’s Royal National Theatre. His theatre work encompassed everything from avant-garde physical theater companies to world tours of Shakespeare plays and classical Greek tragedy.

His film career was essentially launched by his highly acclaimed role as Luigi Vampa in 2002′s The Count of Monte Cristo, and following that success, he moved to Los Angeles where he now lives. Film and TV roles soon followed on productions such as Pirates of the Caribbean, Iron Cross, Tristan and Isolde, Garfield, Biohazard, NYPD Blue, Prison Break, CSI: NY, The Company and The Unit. In 2006, he made his US theatre debut in iwitness at The Mark Taper Forum in downtown Los Angeles.

JB is also a highly accomplished voice actor with projects in film, animation, video games and commercials. He plays several major characters in the forthcoming Marvel/BET production, The Black Panther and is a regular on Naruto and Bleach. Recent video game work includes Alighieri in Dante’s Inferno for EA, Darksiders: Wrath of War, World of Warcraft, Red Faction Guerilla, Tales of Vesperia, Tales of Symphonia, Arcania, Silent Hill, Coraline (in which he voice-matched Ian McShane), Wanted: Weapons of Fate and many others. He has also been a dialect and acting coach for several years, is resident Dialect Coach at The Fountain Theatre in Los Angeles and has worked on productions in the UK and the US , including more recently, The Informers and The History Boys at the Ahmanson Theatre, Los Angeles.

Theatre: The Blue Room (The Odyssey) Shining City, Coming Home, Photograph 51, Gem of the Ocean, Accomplices, Victory, (Fountain Theatre) The Importance of Being Earnest, Summer And Smoke, Major Barbara (LA Theaterworks), The History Boys, iwitness (Mark Taper Forum, CTG) The Oedipus Plays, Mary Stuart, Chips With Everything, Flight (Royal National Theatre, London), The Duel (Lyric, London), Romeo and Juliet, Love for Love (New End Theatre, London), The Lizzie Play (London and World Tour), The Taming of the Shrew, The Phantom Lady, Julius Caesar, The Love of a Good Man (Arts Threshold, London), A Comedy of Errors (New Victoria, Stoke). Film: Iron Cross, The Informers, The Incredible Hulk, The Count of Monte Cristo, Shadowlands, Tristan & Isolde, 102 Dalmations, Moonlight Serenade, Garfield: A Tail of Two Kitties. Television: CSI: New York, Raising The Bar, The Unit, Crash, The Company, NYPD Blue, Dr Vegas, The Bill, Vanity Fair, London’s Burning.

Nov
20

By Dave McNary

Members of the American Federation of Television & Radio Artists have approved a new deal for videogame voice work — two weeks after SAG members rejected the same pact.

AFTRA, which made the announcement Thursday, said the deal received backing from 66% of those casting ballots. The pact was sent out to AFTRA’s 2,200 members who work under the contract.

AFTRA covers the lion’s share of unionized voice work for vidgames. SAG, which has asked the companies to return to the bargaining table, had no immediate response to Thursday’s announcement.

The two performers’ unions have generally made little headway with vidgame companies; an estimated 75% of the voice work performed goes to non-union performers.

Opposition has emerged to the new deal over the “atmospheric” provisions allowing employers to use actors to perform up to 20 voices of up to 300 words at the daily base rate — provisions viewed by some as signifying a major reduction from the current pact.

SAG’s rejection may doom an effort by negotiators to synch up the expiration dates and terms of the pacts for SAG and AFTRA. Negotiators for AFTRA and the Screen Actors Guild reached separate deals with similar terms with vidgame employers on Oct. 2. AFTRA’s deal is a 15-month extension of the current pact that expires on Dec. 31. New deal will expire on March 30, 2011.

The new AFTRA agreement includes a 2.5% increase in minimum session fees to $802 for a four-hour session starting on April 1.

“AFTRA members who work on videogames do so using a highly specialized set of skills and require unique protections from their union agreement,” said AFTRA president Roberta Reardon.

The pact includes an increase in the AFTRA health and retirement contribution rate by 0.2%, bringing the total producer contribution rate to 15%. It also establishes a new cap on annual health and retirement contributions to an individual performer to $125,000, and an automatic $100 payment when a producer fails to provide advance notice of vocally stressful work.

Originally posted on variety.com

Nov
12

German studio Spellbound leads tributes for their former founder and CEO Armin Gessert – a development veteran of twenty-five years and founder of Spellbound Entertainment – passed away on Sunday Nov 8 following a heart attack. His distraught team at German studio Spellbound is leading tributes for their friend and leader, a man who founded the successful studio back in 1994.

“For many of us Armin was a personal friend,” said Andreas Speer, Spellbound’s studio manager. “We still cannot believe that he has passed away.”Jean-Marc Haessig, the firm’s creative director who had worked with Mr Gessert for fifteen years, said: “I worked with Armin very closely for more than 15 years. He was a good friend with whom I had a lot in common. Our visions of what to do to make our games great were absolutely the same.”Mr Gessert had put plans into place in case Spellbound were to be without him. Andreas Speer will now act as CEO with Jean-Marc Haessig continuing his role as creative Director. “We will continue following Armin’s goals, as he would have wanted us to,” said Speer.“Though I will miss him bitterly I will continue to strive to create games that Armin would have been proud of,” added Haessig. Mr Gessert had built a reputation over his twenty-five years in the industry, gaining prominence with titles such as The Great Giana Sisters and The Great Courts. His first work was the action adventure Street Gang which came out under the label Rainbow Arts in 1984. He founded Spellbound in 1994 and won further success with games such as Desperados and the Airline Tycoon series.